ALEXANDER, William W. (1869-1948):
Ramparts, Quebec

Etching and drypoint. Signed and titled in pencil, with the artist’s monogram blind-stamp.
Provenance: Benjamin A. Trustman

ARMINGTON, Caroline (1875-1939):
The Mosque on the Mount of Olives

Etching, 1937. Signed and number 6/80 in pencil

ARMINGTON, Frank (1876-1941):
Un sentier à Morpoué

Drypoint, 1924. Signed and dated, numbered 10/100

BEDER, Jack (1910-87):
Streetcar

Woodcut, 1942. Signed, titled and dated in pencil

BIELER, André (1896-1989):
Notre Dame des Victoires

Woodcut, 1928. Signed and titled in pencil. Denis Martin, Printmaking in Quebec 1900-1950 p. 54, no. 8; Francis Smith monograph p. 61, ill.
Provenance: T. Drummond

BRANDTNER, Fritz (1896-1969):
[A crowd of people rejoicing in a shaft of light]

Linocut printed on japan paper, 1943. Signed and dated in pencil, additionally inscribed in pen “Greetings and best wishes Miese and Fritz Brandtner”.

BULLER, Cecil (1886-1973):
Lovers

Wood-engraving, 1920’s. Ainslie 17. Signed in pencil. Edition 25-30

CARON, Paul (1874-1941):
[Rooftops and Harbour]

Gouache on sturdy grey-brown paper
Provenance: Peggy Nelson Dixon, an American artist friend of Caron

DUGUAY, Rodolphe (1891-1973):
Le quêteur

Woodcut. Signed and titled in pencil

DUGUAY, Rodolphe (1891-1973):
Le raquetteur

Wood- or linocut printed in black and blue on wove. Unsigned